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| Above left, from Bob Grudberg - a 16" White Oak shallow
bowl with Cedar insert. Above right, from Bob Grudberg - Walnut crotch platter with a pedestal base.
Right, from Alan Becker - 5"w x 4"h Ambrosia Maple hollow form with an ultra thin wall thickness achieved by using the laser pointer and a 3 1/2"h x 4" Birch bowl. |
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Left, from Jim Marstall, a 13" natural edge winged bowl
of Silverleaf Maple and half dozen spurtles of Cherry.
Below Left, from Ken Rajspis - four hollow forms. Below, from David Jacobwitz - two hollow forms, one, a 8"w x 4"h Cherry, and the other 3"w x 6"h Maple. |
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| Right, from John Overman, a 5" Maple bowl with beaded rim. |  |
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| Above Left, from John Noffsinger - a 4"h x 4"w
natural edge hollow form of Maple burl. Above Right, from John Noffsinger - a 6"w x 5"h lidded hollow form of Ambrosia Maple with Ebony accents.
Right, A number of split-reverse hollow froms (ebonized and natural), turned in the style demonstrated by Mark Gardner at the CAW September meeting. . Below Left and Right, both from Lin Lambeth, Right, a 15" rim hat from the hands-on course at Johannes Michelsen's home. Clint Eastwood style made from Ambrosia Maple. Below Right, a 17" hat in the classic Range Rider made from Sugar Maple. |
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| Above, from Tom Scharenbrock - Numerous whistles, fly-houses, a shallow
bowl, a bud vase, and many mushrooms of various woods.
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Above, from C.A. Savoy - A 8"h x 5"w spalted Birch hollow form
turned during the Lyle Jamieson class using a boring bar and laser pointer. Also a
5"h x 3"w split-reverse hollow form from the same class.
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Left, from Don Hart, four pieces of Salem Oak, two with white grain filler applied. |
Photos taken by Jim Marstall