Above left, from Dean Swagert a 7W X 2H Masur Birch natural edge bowl, a 6W X 2H Ebony bowl and a 5W X 6H Thuya hollow form.
Above right, from John Overman two Bradford Pear natural edge bowls of 12W X 5H and 7W X 4H and a Spalted maple bowl of 6W X 1H.
Right, from Jim Wano a covey of lidded boxes made of Elm (left 2), Walnut (back 2), and Zebra Wood (front 2).
Below right, from Gene Crosby 10H X 6W Spalted Walnut split reverse hollow form and a 7W X 5H Walnut bowl with Pine branch inlay pieces and a 4H X 1W inside-out reverse turning tree.
Below left, from Jim Marstall An Oak crotch square-edge bowl; 13L X 11W X 3H with a 9 ½ bowl mouth.
|Above left, from Alan
Becker a &WX 4H split reverse hollow form of segmented
Zevbrawood with Bloodwood separators and a Walnut base and a 7W X 1H
natural edge Walnut bowl from the left-over piece from the base of the
Above right, from Jerry Swartz a 9H X 8W segmented vase made from Maple and Purpleheart with painted Indian dancing figures.
Left, from Don Johnson - a Goncalo Alves shallow bowl from the wood collection of Rude Osolnik.
|Above, from Aaron
Grebeldinger four bowls of varied sizes made from Oak and Cherry.
Below from Unknown turner a 12W X 3 ½ H Maple pedestal bowl with a Walnut base.
|Above, from Art
Jenson a 12W X 2H Spalted Beech bowl.
Below, from Lynda Smith-Bugge Spheres turned as practice drills from Lyndas class at Arrowmont with Christian Burchard.
|Below, from Bob Grudberg a 9W X 3 ½H natural edge bowl made from Plum and a 8W X 6H Plum bowl.||Below, from Don Riggs two small bias bowls of Mahogany and Ash; and a 5W X 4H bowl and a 6W X 5H hollow form made of Alaska Pine burl.|
Below left, from Bill Hardy a jewelry box boot made from Mahoganey of 10L X 3 ½D X 7H.
Photos taken by Jim Marstall